Progressive Rock Reviews

Since I generally tend to prefer progressive rock over progressive metal – seventies-style progressive rock in particular – the style is represented relatively well on Kevy Metal. Since I tend to lean towards the more riffy, guitar-driven side of the progressive rock spectrum rather than the folky or keyboard-laden side of it, those who enjoy the bands reviewed in my progressive metal reviews and my hard rock reviews might find something to enjoy here as well. These are all my Album of the Week reviews about progressive rock releases.

Using tags effecitvely is something I didn’t do until a couple of years in. As a result, some progressive rock revies may show up here. If you are looking for something specific, I recommend using the search bar at the bottom of the page.

  • Album of the Week 22-2022: Czesław Niemen – Aerolit

    Czesław Niemen was a remarkable artist. Not only was he one of the best singers I have ever heard, he was also the type of artist who kept pushing his boundaries. Between the late sixties and the late seventies, he developed from an unusually soulful beat artist to a progressive…

    Read full review

  • Album of the Week 19-2022: Providence – And I’ll Recite On Old Myth From……

    Japan had its fair share of progressive rock bands throughout the eighties. Since most of them are fairly synth-heavy – often synths of the glossy, blaring variety typical of the decade – J-prog is not the scene I delve into most. There are, however, some true gems to be found…

    Read full review

  • Album of the Week 08-2022: Kansas – Masque

    Kansas was a bit of an anomaly within the seventies rock landscape. Their first four albums – or five, if you ask anyone else than me – are when the band was at their best. Back then, they had all the unexpected twists in the songwriting that progressive rock bands…

    Read full review

  • Album of the Week 06-2022: Voivod – Synchro Anarchy

    Three albums into the rebirth of Voivod after the untimely death of Denis ‘Piggy’ D’Amour, it is safe to say that the band is truly in their prime. I honestly think their current work is every bit as good as the likes of ‘Dimension Hatröss’ and ‘Nothingface’ and the brand…

    Read full review

  • Album of the Week 01-2022: Gonin-Ish – Shinin Sanka

    Let’s start off the year with a challenge by reviewing an album which I really like, but is a nightmare to describe. Even by Japanese standards, Gonin-Ish is a strange band. Comparisons can be drawn to the likes of Sigh, but despite Anoji Matsuoka’s occasionally harsh vocals, Gonin-Ish is not…

    Read full review

  • Album of the Week 44-2021: Kinniku Shojo Tai – Kimi Dake Ga Oboeteiru Eiga

    Only a band with a core sound as weirdly unique as Kinniku Shojo Tai’s would be able to drop two prominent elements from it and still sound like nobody but themselves. Fumihiko Kitsutaka’s classy melodic speed metal guitar work, which was front on center on most post-reunion Kinniku Shojo Tai…

    Read full review

  • Album of the Week 40-2021: Enslaved – Utgard

    Enslaved is one of the most interesting bands in the contemporary landscape of extreme and progressive metal. And yet, my interest in them waned a little when keyboard player Herbrand Larsen left the band five years ago. His warm, soothing voice was an important part of what made their latter…

    Read full review

  • Album of the Week 31-2021: Ningen Isu – Kuraku

    The harshest thing I can say about ‘Kuraku’, the twenty-second album by Japanese power trio Ningen Isu, is that it is another Ningen Isu album. It does not quite set the world on fire like its predecessor ‘Shin Seinen’ did, but it simply features guitarist Shinji Wajima, bassist Kenichi Suzuki…

    Read full review

  • Album of the Week 27-2021: Coroner – Mental Vortex

    My relationship with Coroner’s fourth album ‘Mental Vortex’ through the years has been a strange one. It was released right in between the two Coroner albums that used to be my favorites. Because of that, I used to think it was not thrashy enough to be as good as ‘No…

    Read full review