Progressive Rock Reviews
Since I generally tend to prefer progressive rock over progressive metal – seventies-style progressive rock in particular – the style is represented relatively well on Kevy Metal. Since I tend to lean towards the more riffy, guitar-driven side of the progressive rock spectrum rather than the folky or keyboard-laden side of it, those who enjoy the bands reviewed in my progressive metal reviews and my hard rock reviews might find something to enjoy here as well. These are all my Album of the Week reviews about progressive rock releases.
Using tags effecitvely is something I didn’t do until a couple of years in. As a result, some progressive rock revies may show up here. If you are looking for something specific, I recommend using the search bar at the bottom of the page.
-

Album of the Week 48-2023: Peter Gabriel – i/o
While it doesn’t quite have the reputation that ‘Chinese Democracy’ or ‘Black Messiah’ had, ‘i/o’ has been about twenty years in the making. It probably helps that Peter Gabriel had been on tour and releasing things in the intervening years, but ‘i/o’ was originally slated for release as early as…
-

Album of the Week 20-2023: Arjen Lucassen’s Supersonic Revolution – Golden Age of Music
If carefully crafting massive prog rock operas is your day job, what do you do for fun? Well, if Arjen Lucassen’s new project Supersonic Revolution is anything to go by: playing rather spontaneous-sounding seventies-inspired hard rock with a bunch of relatively local friends. ‘Golden Age of Music’ is an often…
-

Album of the Week 39-2022: Magma – Kãrtëhl
When Magma announced ‘Kãrtëhl’ would be a bright and optimistic album, that was not necessarily a reason for me to look forward to it. To me, Magma is generally at their best when their unconventional blend of proggy jazz-rock with modern classical overtones is as dark and oppressive as possible.…
-

Album of the Week 22-2022: Czesław Niemen – Aerolit
Czesław Niemen was a remarkable artist. Not only was he one of the best singers I have ever heard, he was also the type of artist who kept pushing his boundaries. Between the late sixties and the late seventies, he developed from an unusually soulful beat artist to a progressive…





