Hard Rock Reviews

As much as I like to call myself and this site Kevy Metal, my journey into music actually began with hard rock. Seventies and nineties hardrock – plus contemporary bands inspired by these styles – are still a significant part of what I listen to, and therefore, Album of the Week reviews on hard rock bands are published frequently. You can find all of them right here. Overlaps with my heavy metal reviews inevitably exist.

Looking for something specific, but can’t find it by browsing the reviews? Searching by artist name or release title using the search bar might bring up some Album of the Week reviews I have written before I started tagging my reviews properly.

  • Album of the Week 38-2020: Iron Maiden – Piece Of Mind

    Not many hard rock and heavy metal bands in the eighties enjoyed the commercial success while not deviating an inch from what they wanted to do the way that Iron Maiden did. All of the albums they made in that decade are considered heavy metal classics, but the complexity was…

    Read full review

  • Album of the Week 37-2020: Alice Cooper – Brutal Planet

    It’s not often that Alice Cooper gets the credit he deserves for how varied his discography is. From the typical Detroit rock ‘n’ roll of the original Alice Cooper band to the more theatrical rock he made with producer Bob Ezrin later in the seventies and the surprisingly entertaining glam…

    Read full review

  • Album of the Week 35-2020: Aerosmith – Get Your Wings

    When I was a kid just getting into Aerosmith, their sophomore album ‘Get Your Wings’ just did not click with me, despite having a strong preference for the band’s rawer seventies material. About twenty-five years later, it has become one of my favorite Aerosmith records. While the self-titled debut includes…

    Read full review

  • Album of the Week 31-2020: Richie Sambora – Stranger In This Town

    It would be tempting to think that Richie Sambora’s first solo endeavor outside of Bon Jovi would be a guitar-heavy rock affair. However, thinking so would overlook two of Sambora’s best qualities. First of all, he is a guitarist who always plays in service of the song and secondly, he…

    Read full review

  • Album of the Week 30-2020: Jehtro Tull – Minstrel In The Gallery

    Unlike most bands whose heyday was in the seventies, there doesn’t seem to be any consensus on what the classic Jethro Tull album is. If anything, this is a testament to the band’s versatility. ‘Aqualung’ appears to be the most popular one, but fans of the band’s progressive side tend…

    Read full review

  • Album of the Week 28-2020: Hedvig Mollestad – Ekhidna

    What Hedvig Mollestad does with her own trio – blending Sabbathian stoner rock grooves with jazzy improvisations – is already impressive, but I was not prepared for the genius of ‘Ekhidna’. While the seventies rock riffs are still everywhere, Mollestad and her five companions dial the jazz factor way up,…

    Read full review

  • Album of the Week 26-2020: Turbo – Dorosłe Dzieci

    While ‘Dorosłe Dzieci’ isn’t necessarily my favorite Turbo album – that would probably be the more thrashy ‘Kawaleria Szatana’ – it is one of the most accomplished debut albums of all time. It largely foregoes the flaws debut albums tend to suffer from, such as still being in search of…

    Read full review

  • Album of the Week 25-2020: Takenori Shimoyama – The Power Of Redemption

    ‘The Power Of Redemption’ is the second solo album Saber Tiger singer Takenori Shimoyama has released in less than six months. It is however, significantly different than ‘Way Of Life’, released in November. While Shimoyama’s raw, impassioned vocals worked surprisingly well with the largely acoustic music on that record, ‘The…

    Read full review

  • Album of the Week 16-2020: Accept – The Rise Of Chaos

    Despite liking the Mark Tornillo-fronted era of Accept, ‘The Rise Of Chaos’ kind of passed me by initially. Looking back, the inconsistency of its predecessor ‘Blind Rage’ combined with the promise of a somewhat more straightforward album and a few bouts of extreme lyrical simplicity in the preview tracks probably…

    Read full review