Hard Rock Reviews

As much as I like to call myself and this site Kevy Metal, my journey into music actually began with hard rock. Seventies and nineties hardrock – plus contemporary bands inspired by these styles – are still a significant part of what I listen to, and therefore, Album of the Week reviews on hard rock bands are published frequently. You can find all of them right here. Overlaps with my heavy metal reviews inevitably exist.

Looking for something specific, but can’t find it by browsing the reviews? Searching by artist name or release title using the search bar might bring up some Album of the Week reviews I have written before I started tagging my reviews properly.

  • Album of the Week 10-2021: Thunder – All The Right Noises

    Despite breaking up twice over the course of three decades, Thunder is still around and more miraculously, they continue to release material that is comparable in quality to what is considered their classic material. On ‘All The Right Noises’, guitarist Luke Morley continues to be one of the greatest post-seventies…

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  • Album of the Week 02-2021: Alice In Chains – Dirt

    You probably don’t need me to tell you that ‘Dirt’ is a masterpiece. And yet, that is what I will be doing in the next five hundred words or so. It will be an impossible task to find the words for how much I love this album, but if one…

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  • Album of the Week 01-2021: Arouge – Arouge ~Bogyaku No Kikoshi~

    Arouge started out as the high school band Sleazy Luster when the members were still in their mid-teens. Kitsutaka and bassist Jun Fukuda quickly proved to be extremely capable songwriters. Their debut album offers more than enough evidence for that. Somehow, Arouge managed to combine the powerful, riffy bottom-end of…

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  • Album of the Week 52-2020: Merry – Modern Garde

    By its title alone, Merry’s second album ‘Modern Garde’ already serves as a bit of a mission statement for the Tokyo-based band. Even in their early days, Merry was a band that stood out among their early twenty-first century visual kei peers by having some thought behind their concept, alluring…

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  • Album of the Week 51-2020: Aria – Noch’ Koroche Dnya

    ‘Noch’ Koroche Dnya’ was Aria’s first release after their string of classic albums (‘Geroy Asfalta’, ‘Igra S Ognëm’ and ‘Krov’ Za Krov”) and arguably their last great album with singer Valery Kipelov. Given the circumstances under which the album was recorded, it is a small miracle that the album came…

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  • Album of the Week 50-2020: Ningen Isu – Mandoro

    Ningen Isu has been around for over thirty years. But even in their native country of Japan, they did not really get the audience they deserved until a few years ago. In a way, I can understand their cult status. Their heavily Black Sabbath-inspired music is a bit of an…

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  • Album of the Week 49-2020: Anthem – Burning Oath

    Unlike many of their contemporaries, Anthem never actually released any bad albums. They just laid low for a while when the nineties inevitably ruined the music business for traditional heavy metal. They did, however, struggle a little bit with how many productional traits associated with power metal they should incorporate…

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  • Album of the Week 47-2020: XYZ→A – Wonderful Life

    Hidden behind this atrocious album cover – admittedly, I really don’t like dogs – is one of the most pleasant musical surprises of the year. It should not be too surprising that a record featuring an all-star line-up of sorts, including Fumihiko Kitsutaka on guitar, recorded something I like, but…

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  • Album of the Week 46-2020: Kinniku Shojo Tai – Omake No Ichinichi (Tatakai No Hibi)

    After crazy eclectics Kinniku Shojo Tai reunited about a decade and a half ago, they decided to focus on what they did best. Melodic power metal, muscular funk rock, Queen-ish layered bombast and proggy weirdness. If that already sounds quite eclectic to you, you would not be wrong. Post-reunion Kinniku…

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