Progressive Metal Reviews

Although I have a somewhat conflicted relationship with the progressive metal genre, the bands that tackle the style well tend to do so exceptionally well. If you like your time signatures odd and often changing, your song structures unpredictable, your chords and harmonies sophisticated, and your songs long, make sure to check up on Kevy Metal’s progressive metal reviews from time to time. You can find all my progressive metal Album of the Week reviews right here.

However, I did not start properly tagging my reviews until a couple of years in. If you are looking for something that doesn’t show up, it might still be there. I recommend using the search bar at the bottom of the page if you are looking for something specific.

  • Album of the Week 03-2015: Yossi Sassi – Desert Butterflies

    One of the saddest bits of news from the world of music in 2014 for me was the fact that founding guitarist and main songwriter Yossi Sassi left Orphaned Land. As a big fan of the Israeli Metal pioneers, this was sort of a shock to me; Sassi was almost…

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  • Album of the Week 51-2014: Dir En Grey – Arche

    A new Dir En Grey album is much like the box of chocolates referred to in ‘Forrest Gump’. The Japanese quintet has been so eclectic throughout their discography, that you litterally never know what you’re going to get. ‘Arche’ is no exception. Ever since singer Kyo discovered a deep, almost…

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  • Album of the Week 43-2014: While Heaven Wept – Suspended At Aphelion

    Ambition isn’t a thing that eludes Tom Phillips. From their humble beginnings as an old school Doom Metal trio, While Heaven Wept evolved into a seven-piece that – while still relatively subdued in terms of tempo – combines influences from many subgenres into a unique, majestic form of Heavy Metal.…

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  • Album of the Week 41-2014: Sanctuary – The Year The Sun Died

    Nevermore’s breakup – or hiatus, whatever you choose to believe – was terrible news for yours truly. Nevermore’s unique blend of crushingly heavy riffs, compositional complexity, Warrel Dane’s incredible clean vocals and a sense of melody that seems to be forbidden in contemporary Metal made them one of the best…

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  • Album of the Week 35-2014: Dir En Grey – Gauze

    Dir En Grey’s debut album is the hidden gem of the Visual Kei scene. This may sound a bit weird, figuring that the Japanese quintet is probably the most popular band in the Metal scene with non-English lyrics after Rammstein, but ‘Gauze’ stands out stylistically in a discography that is…

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  • Album of the Week 32-2014: Versailles – Jubilee

    ‘Jubilee’ marked the end of a tempestuous period for Versailles, both positively and negatively. The band had just signed with a major label and the difference is immediately noticeable sonically, but on the other hand, there was the untimely death of their original bass player Jasmine You during the recordings,…

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  • Album of the Week 26-2014: Mastodon – Once More ‘Round The Sun

    Mastodon never ceases to surprise me. Despite the inaccessible nature of their psychedelic, progressive Sludge Metal, they’ve become one of the biggest name in the current Metal scene and – even more surprisingly – a welcome guest at many festivals. What is most amazing about them is that every album…

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  • Album of the Week 18-2014: Mekong Delta – In A Mirror Darkly

    Mekong Delta was always one of the most interesting Metal bands around, but no one could have predicted the second youth they have been experiencing lately. In fact, with their best singer yet on board in the form of Martin LeMar, the band surrounding mastermind Ralf Hubert recorded their best…

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  • Album of the Week 12-2014: Fates Warning – Awaken The Guardian

    Back when being a Prog Metal band didn’t automatically mean that you tried to sound as close to Dream Theater as possible, the scene was incredibly interesting. Bands like Queensrÿche, Fates Warning, Crimson Glory and Psychotic Waltz combined the riffs and twin guitars of Iron Maiden and US Power Metal…

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