Progressive Metal Reviews

Although I have a somewhat conflicted relationship with the progressive metal genre, the bands that tackle the style well tend to do so exceptionally well. If you like your time signatures odd and often changing, your song structures unpredictable, your chords and harmonies sophisticated, and your songs long, make sure to check up on Kevy Metal’s progressive metal reviews from time to time. You can find all my progressive metal Album of the Week reviews right here.

However, I did not start properly tagging my reviews until a couple of years in. If you are looking for something that doesn’t show up, it might still be there. I recommend using the search bar at the bottom of the page if you are looking for something specific.

  • Album of the Week 32-2016: Porcupine Tree – The Incident

    For a genre with “progressive” in its name, there have been relatively little young progressive Rock heroes these last years. Steven Wilson has been the last man to be widely accepted as a Prog guru and even though he doesn’t look like it, he is in his late forties. A…

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  • Album of the Week 31-2016: Opeth – Pale Communion

    Quite a bit of commotion has surrounded the fact that Opeth shed all of its Death Metal roots. Personally, I didn’t mind that much, as I was attracted to the band’s calmer side long before the Death Metal side made any sense for me; ‘Damnation’ was the first Opeth album…

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  • Album of the Week 26-2016: Yossi Sassi Band – Roots And Roads

    Ever since leaving Orphaned Land, Yossi Sassi seems to be more productive than ever. In fact, now that he only has his own band to mind, it looks like the last obstacle was broken down and he’s really not holding back anymore. How else can you explain the sound of…

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  • Album of the Week 24-2016: Saber Tiger – Decisive

    Yesterday and the day before, I was lucky enough to witness the first two concerts Saber Tiger ever gave on European soil. It’s hard to explain how happy that makes me, but Saber Tiger is the one band I never thought I’d have a chance to see without actually going…

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  • Album of the Week 21-2016: Dir En Grey – Uroboros

    Ever since Dir En Grey singer Kyo discovered he possessed an almost inhuman grunt, the band’s music grew increasingly heavier to accommodate this quality. Despite the presence of a couple of excellent ballads, they took it too far on ‘The Marrow Of A Bone’. Being the type of band they…

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  • Album of the Week 20-2016: Vektor – Terminal Redux

    Despite frequently being labeled as a Voivod rip-off, Vektor is one of the most unique bands in contemporary Thrash Metal. Sure, they borrow heavily from the Sci-Fi themes and dissonant chord work of their Canadian heroes, but Vektor plays (much) faster, writes more intricate material and adds quite a few…

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  • Album of the Week 09-2016: Alkaloid – The Malkuth Grimoire

    Recently, I praised Obscura’s excellent new record ‘Akróasis’. It showed that frontman Steffen Kümmerer could make great albums even without the rest of the classic lineup. Last year, drummer Hannes Grossmann and guitarist Christian Münzner – along bassist Linus Klausenitzer, who is still in Obscura – proved that it’s also…

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  • Album of the Week 07-2016: Myrath – Legacy

    Probably the most impressed I have ever been by an opening act was when I went to see Orphaned Land in 2011. The second band of the evening was this amazing Tunisian band called Myrath and I basically liked them as much as I liked Orphaned Land. I bought ‘Desert…

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  • Album of the Week 06-2016: Obscura – Akróasis

    Contemporary Death Metal worries me. Many bands these days either make Melodeath without balls, dizzying technical Death Metal without any semblance of structure to hold on to or something so buried in groove that there’s none of the aggression the genre is known for. From the beginning of their career,…

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