Progressive Metal Reviews

Although I have a somewhat conflicted relationship with the progressive metal genre, the bands that tackle the style well tend to do so exceptionally well. If you like your time signatures odd and often changing, your song structures unpredictable, your chords and harmonies sophisticated, and your songs long, make sure to check up on Kevy Metal’s progressive metal reviews from time to time. You can find all my progressive metal Album of the Week reviews right here.

However, I did not start properly tagging my reviews until a couple of years in. If you are looking for something that doesn’t show up, it might still be there. I recommend using the search bar at the bottom of the page if you are looking for something specific.

  • Album of the Week 38-2018: Voivod – The Wake

    After ‘Target Earth’ being much better than it had any right to be and the excellent ‘Post Society’ EP, Canadian sci-fi thrashers Voivod had a reputation to live up to. They proved that they could still write a song that their late guitarist Denis ‘Piggy’ D’Amour would be proud of.…

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  • Album of the Week 33-2018: Fates Warning – Darkness In A Different Light

    Prolific is a thing Fates Warning has not been for a while. At the time of its release, ‘Darkness In A Different Light’ was only the fifth Fates Warning album 22 years and their first in almost a decade. Maybe they needed the time to recharge their batteries, because it…

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  • Album of the Week 27-2018: Obscura – Cosmogenesis

    With the increasing popularity of nerd culture, it is not too surprising that there has been a veritable boom of technical and progressive death metal bands a couple of years ago. Very few managed to impress me as much as Obscura did, however, as the German quartet seems to forego…

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  • Album of the Week 25-2018: Doom – Complicated Mind

    One risk when you are listening to Doom is that you will only pay attention to the late Koh Morota’s crazy, but always serviceable work on the fretless bass. Especially when he is put front and center in the mix like he was on the ‘Killing Fields’ EP. However, Doom…

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  • Album of the Week 24-2018: Alkaloid – Liquid Anatomy

    Two years ago, Alkaloid thoroughly impressed me with their highly creative debut album ‘The Malkuth Grimoire’. Despite the band members’ association with high profile metal bands – Obscura most prominently – it transcended the supergroup burden by coming up with a highly progressive, almost avant-garde extreme metal that forsakes most…

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  • Album of the Week 23-2018: Onmyo-za – Hado Myoo

    Heavy, dark, but without forsaking their trademark streamlined melodicism. How they do it is a mystery to me, but Onmyo-za manages to upgrade the formula of their already impressive latter day sound on ‘Hado Myoo’ without the help of a potentially alienating stylistic shift. Despite its fairly heavy use of…

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  • Album of the Week 14-2018: Skyclad – A Burnt Offering For The Bone Idol

    Before folk metal became synonymous with heavy drinking songs – that being either heavy songs for drinking or songs for heavy drinking – Skyclad managed to blend folk and heavy metal in an intelligent and reasonably complex manner. For the British band, the folk influences were there to enhance the…

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  • Album of the Week 12-2018: Bittencourt Project – Brainworms I

    With Angra’s music being as varied as it is, what more could guitarist and chief songwriter Rafael Bittencourt want to express? Quite a lot, as it turns out. Debut album ‘Brainworms I’ of his own Bittencourt Project is full of music that, while not completely sounding out of place amongst…

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  • Album of the Week 08-2018: Rhapsody – Symphony Of Enchanted Lands

    For everyone involved in the making of the album, ‘Symphony Of Enchanted Lands’ is the pinnacle of their abilities. It was not just a compositional triumph for all the musicians involved, it also established Sascha Paeth and Miro as the go-to producers for symphonic metal. Rhapsody did not invent the…

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