Power Metal Reviews

High tempos, soaring vocals, memorable choruses, and majestic melodies – often harmonies – all made me an avid power metal fan as an early teenager. And despite getting into other genres through the years, my love for power metal never really faded away. As a result, quite a large part of my Album of the Week reviews have been about power metal albums. You can find all the power metal reviews published on Kevy Metal right here. Overlaps with my heavy metal reviews inevitably exist.

If you are looking something that isn’t listed here, I might still have reviewed it. I didn’t start properly tagging my reviews until a few years in. You can use the search bar to search for any artist or release you want to know more about using the search bar at the bottom of the page.

  • Album of the Week 46-2014: Warlord – Deliver Us

    Some legends of Heavy Metal have their praise based on an incredibly small amount of output. For many of the unsung heroes of the NWOBHM movement, only a handful of singles remains as a monument to their supposed brilliance. California’s Warlord has recently expanded their catalog a little, but for…

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  • Album of the Week 45-2014: Anthem – Absolute World

    While many old school Heavy Metal bands had an enormous identity crisis in the nineties due to the rise of Alt-Rock and – in this case – Visual Kei, Naoto Shibata did the right thing; he put his band Anthem to rest until new artistic and business opportunities presented themselves.…

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  • Album of the Week 43-2014: While Heaven Wept – Suspended At Aphelion

    Ambition isn’t a thing that eludes Tom Phillips. From their humble beginnings as an old school Doom Metal trio, While Heaven Wept evolved into a seven-piece that – while still relatively subdued in terms of tempo – combines influences from many subgenres into a unique, majestic form of Heavy Metal.…

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  • Album of the Week 41-2014: Sanctuary – The Year The Sun Died

    Nevermore’s breakup – or hiatus, whatever you choose to believe – was terrible news for yours truly. Nevermore’s unique blend of crushingly heavy riffs, compositional complexity, Warrel Dane’s incredible clean vocals and a sense of melody that seems to be forbidden in contemporary Metal made them one of the best…

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  • Album of the Week 38-2014: Crows – The Dying Race

    There are albums that should have been heard (and loved) by everyone, but just don’t get heard by anyone. It could be a matter of bad timing, lacking promotion or just simply bad luck. For Germany’s Crows, it’s a matter of “all of the above”, although the lack of promotion…

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  • Album of the Week 34-2014: Stratovarius – Nemesis

    One of the best developments in recent Power Metal history is the fact that Stratovarius is once again in the hands of a guitarist. This is an important thing, seeing as the departure of original guitarist and chief songwriter Timo Tolkki lead to the most guitar unfriendly record the band…

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  • Album of the Week 33-2014: Helloween – The Time Of The Oath

    ‘Master Of The Rings’ marked the end of an era for Helloween. Not only because of the departure of iconic singer Michael Kiske, it also marked the return to the triumphant Power Metal sound the Germans were instrumental in creating. However, where that album still showed some caution, its follow-up…

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  • Album of the Week 32-2014: Versailles – Jubilee

    ‘Jubilee’ marked the end of a tempestuous period for Versailles, both positively and negatively. The band had just signed with a major label and the difference is immediately noticeable sonically, but on the other hand, there was the untimely death of their original bass player Jasmine You during the recordings,…

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  • Album of the Week 29-2014: Judas Priest – Redeemer Of Souls

    There are so many reasons why this new Judas Priest album shouldn’t work. Guitarist KK Downing retired, not willing to await how much longer the band’s farewell tours were going to take. The band members’ age is starting to take its toll, especially on Rob Halford, whose voice has been…

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