Power Metal Reviews

High tempos, soaring vocals, memorable choruses, and majestic melodies – often harmonies – all made me an avid power metal fan as an early teenager. And despite getting into other genres through the years, my love for power metal never really faded away. As a result, quite a large part of my Album of the Week reviews have been about power metal albums. You can find all the power metal reviews published on Kevy Metal right here. Overlaps with my heavy metal reviews inevitably exist.

If you are looking something that isn’t listed here, I might still have reviewed it. I didn’t start properly tagging my reviews until a few years in. You can use the search bar to search for any artist or release you want to know more about using the search bar at the bottom of the page.

  • Album of the Week 32-2017: Anthem – Domestic Booty

    Some of Anthem’s best records have something awkward to them that has nothing whatsoever to do with the actual music. ‘Immortal’ has its album cover, ‘Domestic Booty’ its title. And maybe the fact that the band broke up for about a decade in the aftermath of this album’s release. Changes…

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  • Album of the Week 30-2017: Fatima Hill – Aion

    Progressive metal is at its best when it is not a vehicle for virtuosity. The bands who favor atomosphere and interesting compositions instead of showing off their instrumental skills are relatively limited in number, but they exist. Fatima Hill from Japan was one of those bands. Compared to other prog…

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  • Album of the Week 24-2017: WarCry – Donde El Silencio Se Rompió…

    While Spain loves its catchy power metal, not many of their own bands can even come close to the German, Scandinavian and American bands they enjoy. WarCry, however, have been pumping out excellent albums, especially since establishing their current line-up about a decade ago. Their new record ‘Donde El Silencio…

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  • Album of the Week 23-2017: Iced Earth – Incorruptible

    Lately, it seems like Iced Earth has been trying to make up for the bombast that characterized their sound during the first decade of this century by proving they are still first and foremost a heavy metal band. ‘Incorruptible’ follows this same general idea, as the guitars are front and…

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  • Album of the Week 22-2017: Onmyo-za – Karyo-Binga

    Released hot on the heels of the impressive diptych of ‘Fuujin Kaikou‘ and ‘Raijin Sousei’, it is something of a miracle that Onmyo-za still had enough inspiration left to write another excellent album. In fact, it is even better than the latter. ‘Karyo-Binga’ sounds manages to sound familiar and fresh…

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  • Album of the Week 16-2017: Labÿrinth – Architecture Of A God

    Despite their distinctly Italian power metal sound, Labÿrinth was a pretty unique band in the country’s mid-nineties metal scene. They shared their countrymen’s melodic sensibilities, tendency towards higher tempos and somewhat symphonic approach, but also had an uncommonly romantic vibe for a metal band. However, not long after founding guitarist…

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  • Album of the Week 14-2017: Onmyo-za – Kishibojin

    Concept albums can be a tricky affair, but when done right, their atmosphere and continuity lifts everything about the albums in question to a higher level. Take Onmyo-za’s ‘Kishibojin’. It’s one of those albums that leaves very little to be desired and therefore is almost impossible to turn off before…

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  • Album of the Week 13-2017: Wicked Mystic – Lithium

    Sometimes unexpected breakups inadvertently mean that bands go out while they’re at their peaks. Yours truly was thoroughly impressed with Wicked Mystic’s sophomore album ‘Lithium’, but before they could properly promote the record, the band had already broken up. And that means that outside of the Netherlands, not many people…

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  • Album of the Week 12-2017: Seikima-II – Mephistopheles no Shouzou

    A cliché often used for eighties rock bands that survived through the nineties is that their records sound as if the nineties didn’t happen. Hardly any album answers more to that sentiment than ‘Mephistopheles No Shouzou’. Despite being released in 1996, the compositions, arrangements and production scream eighties hard rock…

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