Power Metal Reviews

High tempos, soaring vocals, memorable choruses, and majestic melodies – often harmonies – all made me an avid power metal fan as an early teenager. And despite getting into other genres through the years, my love for power metal never really faded away. As a result, quite a large part of my Album of the Week reviews have been about power metal albums. You can find all the power metal reviews published on Kevy Metal right here. Overlaps with my heavy metal reviews inevitably exist.

If you are looking something that isn’t listed here, I might still have reviewed it. I didn’t start properly tagging my reviews until a few years in. You can use the search bar to search for any artist or release you want to know more about using the search bar at the bottom of the page.

  • Album of the Week 40-2018: Saber Tiger – Obscure Diversity

    It is difficult for me to be objective about the new Saber Tiger album, having made a minor contribution to its production, but the fact is that ‘Obscure Diversity’ would have excited me regardless. Saber Tiger won me over with their intense combination of traditional heavy metal and contemporary progressive…

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  • Album of the Week 29-2018: Concerto Moon – Savior Never Cry

    In the light of Atsushi Kuze joining Jupiter, his works with Concerto Moon have been receiving more than a few spins in my household. I have been fairly critical of Kuze’s competent, but somewhat Dokken-ish voice in the past, but there is one Concerto Moon album on which he is…

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  • Album of the Week 28-2018: NoGoD – V

    Within the visual kei realm, NoGoD is a bit of an anomaly. With a sound that is a lumpless blend of modern hard rock and heavy metal, they don’t really fit any of the trends that exist in their genre and because they are not a cast full of pretty…

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  • Album of the Week 26-2018: Iced Earth – Night Of The Stormrider

    ‘Night Of The Stormrider’ is often mentioned as a favorite by those who followed Iced Earth from the very beginning and it is easy to hear why. The song material is notably more complex than the songs that would make the band a big name less than a decade after…

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  • Album of the Week 23-2018: Onmyo-za – Hado Myoo

    Heavy, dark, but without forsaking their trademark streamlined melodicism. How they do it is a mystery to me, but Onmyo-za manages to upgrade the formula of their already impressive latter day sound on ‘Hado Myoo’ without the help of a potentially alienating stylistic shift. Despite its fairly heavy use of…

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  • Album of the Week 18-2018: Fumihiko Kitsutaka’s Euphoria – Euphoria

    When neoclassically inspired guitarists start a solo project, the records are often filled with flagrant displays of virtuosity. Fumihiko Kitsutaka however, presumably through his career as the guitarist for eighties hardrockers Arouge and crazy eclectics Kinniku Shojo Tai, learned a lesson or two about songwriting. Sure, his impressive dexterity is…

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  • Album of the Week 16-2018: Stryper – God Damn Evil

    With an album title like ‘God Damn Evil’, it is obvious that all semblance of subtlety has gone out the window. Then again, Stryper never was about subtle intricacies. You just know you’re going to get simple, effective hardrock songs with huge choruses, strong melodies and a fairly obvious christian…

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  • Album of the Week 12-2018: Bittencourt Project – Brainworms I

    With Angra’s music being as varied as it is, what more could guitarist and chief songwriter Rafael Bittencourt want to express? Quite a lot, as it turns out. Debut album ‘Brainworms I’ of his own Bittencourt Project is full of music that, while not completely sounding out of place amongst…

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  • Album of the Week 10-2018: Seikima-II – The End Of The Century

    Classic heavy metal with a distinct theatrical edge, heavy kabuki-styled make-up on the band members, a downright hideous album cover… We must be dealing with an excellent Seikima-II album. Back in the mid-eighties, when original guitarist Damian Hamada had already left the band, but was still writing most of the…

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