Hard Rock Reviews

As much as I like to call myself and this site Kevy Metal, my journey into music actually began with hard rock. Seventies and nineties hardrock – plus contemporary bands inspired by these styles – are still a significant part of what I listen to, and therefore, Album of the Week reviews on hard rock bands are published frequently. You can find all of them right here. Overlaps with my heavy metal reviews inevitably exist.

Looking for something specific, but can’t find it by browsing the reviews? Searching by artist name or release title using the search bar might bring up some Album of the Week reviews I have written before I started tagging my reviews properly.

  • Album of the Week 32-2018: The Magpie Salute – High Water I

    Volatile fraternal relationships are nothing new in music. What is quite unusual, however, is that one brother goes on to do something which is at least on par with what made them famous in the first place. The Magpie Salute may just turn out to be one of those instances.…

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  • Album of the Week 29-2018: Concerto Moon – Savior Never Cry

    In the light of Atsushi Kuze joining Jupiter, his works with Concerto Moon have been receiving more than a few spins in my household. I have been fairly critical of Kuze’s competent, but somewhat Dokken-ish voice in the past, but there is one Concerto Moon album on which he is…

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  • Album of the Week 28-2018: NoGoD – V

    Within the visual kei realm, NoGoD is a bit of an anomaly. With a sound that is a lumpless blend of modern hard rock and heavy metal, they don’t really fit any of the trends that exist in their genre and because they are not a cast full of pretty…

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  • Album of the Week 18-2018: Fumihiko Kitsutaka’s Euphoria – Euphoria

    When neoclassically inspired guitarists start a solo project, the records are often filled with flagrant displays of virtuosity. Fumihiko Kitsutaka however, presumably through his career as the guitarist for eighties hardrockers Arouge and crazy eclectics Kinniku Shojo Tai, learned a lesson or two about songwriting. Sure, his impressive dexterity is…

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  • Album of the Week 16-2018: Stryper – God Damn Evil

    With an album title like ‘God Damn Evil’, it is obvious that all semblance of subtlety has gone out the window. Then again, Stryper never was about subtle intricacies. You just know you’re going to get simple, effective hardrock songs with huge choruses, strong melodies and a fairly obvious christian…

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  • Album of the Week 13-2018: The Sisters Of Mercy – Vision Thing

    The change between The Sisters Of Mercy’s second album ‘Floodland’ and its follow-up ‘Vision Thing’ is apparent from the moment the album kicks off. The reverb-heavy gothic atmosphere of the former had been exchanged for a drier production and a riff-oriented approach. With four people credited with playing guitar on…

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  • Album of the Week 12-2018: Bittencourt Project – Brainworms I

    With Angra’s music being as varied as it is, what more could guitarist and chief songwriter Rafael Bittencourt want to express? Quite a lot, as it turns out. Debut album ‘Brainworms I’ of his own Bittencourt Project is full of music that, while not completely sounding out of place amongst…

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  • Album of the Week 10-2018: Seikima-II – The End Of The Century

    Classic heavy metal with a distinct theatrical edge, heavy kabuki-styled make-up on the band members, a downright hideous album cover… We must be dealing with an excellent Seikima-II album. Back in the mid-eighties, when original guitarist Damian Hamada had already left the band, but was still writing most of the…

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  • Album of the Week 06-2018: Onmyo-za – Chimimoryo

    Out of all Onmyo-za albums, ‘Chimimoryo’ is proabably the one with the broadest appeal. That does not mean it isn’t metal. Quite the contrary. The riff work on the album is still as rooted in traditional heavy metal as it always has been, but the polish of the production and…

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