Gothic Rock Reviews
Despite having devoted much of my musical love to hard rock and heavy metal since my early teenage years, the eerie clean guitars, darkly romantic atmosphere and often deep vocals of gothic rock greatly appeal to me. Several gothic rock releases are reviewed on this site, especially since the genre seems to have been going through a bit of a revival in recent years. You can find all of the Album of the Week reviews about gothic rock releases right here. Minor overlaps with my gothic metal reviews inevitably exist.
While I didn’t write a lot of gothic rock reviews in the first few years of Kevy Metal, when I didn’t properly tag my reviews yet, they may exist. Therefore, if you are looking for something specific, using the search bar at the bottom of the page to search by artist or release title is recommended.
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Album of the Week 33-2019: Kukryniksy – Artist
Farewell albums often are a bit of an afterthought. Musicians throw some odds and ends together or, at worst, force one more product out. ‘Artist’, the final album of Saint Petersburg-based band Kukrynisky is the mirror opposite of that. For me, ‘Artist’ is the album where they finally fulfill their…
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Album of the Week 08-2019: Whispering Sons – Image
Belgium’s Whispering Sons really managed to impress me at the Eurosonic festival last month. My first impression of the band was that they were a very authentic sounding tribute to the darkest side of the early eighties post-punk and proto-goth sounds, think Joy Division at their most depressive with hints…
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Album of the Week 49-2018: Fields Of The Nephilim – The Nephilim
A significant portion of Fields Of The Nephilim’s fan base still considers their sophomore album ‘The Nephilim’ their best album. And while I personally prefer its follow-up ‘Elizium’, it is easy to understand why. It certainly delivers on the promise that the band’s somewhat underdeveloped debut album ‘Dawnrazor’ occasionally showed.…
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Album of the Week 37-2018: Atsushi Sakurai – Ai No Wakusei
With his amazing voice being the defining factor that it is in Buck-Tick, it is quite surprising that no one in the Japanese record industry pushed Atsushi Sakurai to release more solo albums than just ‘Ai No Wakusei’. It sold reasonably well, but it would be logical to assume that…





